Brunswick’s Phantom Of The Opera

Brunswick's Phantom Of The Opera, absolutely amazing. See it if you can.

Brunswick’s Phantom Of The Opera, absolutely amazing. See it if you can.

When you go see a high school production, you’re prepared to cut the kids a little slack, wouldn’t you agree?  Last night, we watched Brunswick School (with Greenwich Academy) put on Andrew Lloyd Webber’s version of The Phantom Of The Opera, and I was in full slack-cutting mode, and yet, 10 minutes into it, I actually forgot these were kids, it was that good a show.

For 10 bucks admission, this is the theatre-going deal of the century. You should see this production. Looks like it’s sold out tonight, but tickets are still available for Saturday’s performance: http://www.brunswickschool.org/tickets/

No refreshments! (BYO martinis)

Spoiler Alert

The very evil Thomas Barrow. His murders of the entire Crawley family acts as the catalyst for England's awakening to the need for macheté control.

The very evil Thomas Barrow. His long-knife murders of the entire Crawley family becomes the catalyst for England’s awakening to the need for serious macheté control.

Like me, you can hardly wait for Downton Abbey to resume in January. Here’s an early report of the first episode:

Scheming footman Thomas Barrow, played excellently by Rob James-Collier, murders the whole Crawley family (Lord Grantham, etc.) in their sleep. Subsequent episodes deal with the ensuing murder trial, and the takeover of the estate by IRA mercenaries.

Believe me?

Robert Redford Grimacing

Redford, in the movie All Is Lost...not bad for an old dude of 77.

Redford, in the movie All Is Lost…not bad for an old dude of 77.

There, I’ve done it, I’ve given you a nice, three-word summation of the new Redford movie All Is Lost. I watched it last night at Stamford’s Avon Theatre, one of my favorite movie venues, because it’s a great old place, plus, there’s a dozen restaurants within 300 feet of it.

If you sail at all, you’re likely drawn to almost any “survival at sea” story, and this one doesn’t disappoint in that regard. But still, it lacks a certain…. something (the reviewer I linked to above states it in a more descriptive manner). After awhile, the sight of Redford grimacing became painful to watch. I was never bored by this film, but I don’t think I would insist on anyone seeing it.

One final thought: My first Robert Redford movie, Butch Cassidy And The Sundance Kid, I saw as a wee lad, in 1969. FORTY FOUR YEARS LATER, Redford’s still making movies. That’s pretty amazing.

Comedy Night At The Cole

Cole Auditorium, empty now, but tomorrow night, Gid takes the stage!

Cole Auditorium, empty now, but tomorrow night, Gid takes the stage!

Tomorrow night (as in, Friday, Sept. 20th), I’m hosting the annual Comedy Night at the Cole Auditorium at Greenwich Library. This is a great event, with actual funny, talented comedians, the cream-of-the-crop from New York’s Gotham Club.

Show starts at 8:00 PM, but the Big Green Truck Pizza starts serving gourmet-quality pizza (plus beer and wine) starting at 6:00. Also, there’re some decent restaurants mere steps from Greenwich Library where you can dine, get liquored up, then wander over in time for the show. See you there!

All proceeds to benefit Greenwich Community Answers.

Here are the real comedians (as opposed to Realtor-comedians)…click on their names to see what they’re all about.

Finally, Non-Private Miniature Golf!

How many times has this happened to you? You gather your putters and load the family into the car for a nice relaxing round of mini-golf, only to be told when you get there, “Sorry, this is a private course.”

Sound familiar? You bet it does. That’s why I’m thrilled to share my discovery of a new, exciting mini-golf center that is…Open To The Public! And it’s only 234 short miles from Greenwich, right there in the convenient beach-front community of Wells, Maine.

Hope to see you up there, hit ’em straight, pardner!

Yes, you read the sign correctly, it's OPEN TO THE PUBLIC, say hallelujah!

Yes, you read the sign correctly, it’s OPEN TO THE PUBLIC, say hallelujah!

 

Night Under The Stars

Once again, I’m MC and auctioneer for Greenwich Hospital’s “Night Under The Stars“, a benefit for the Pediatrics Department and Neonatal Intensive Care Unit of Greenwich Hospital. It’s a Friday night, July 12th, at the Riverside Yacht Club. High tide, beautiful summer evening, Fountain attempting to be funny, what’s not to like? Tickets are cheap for this sort of thing, and mostly tax-deductible. Most important, it’s for an actual worthy cause!

Thank God for PhotoShop! But seriously, if you need a good head-shot for your "movie work", don't call anyone but Tom Young.

Thank God for PhotoShop! But seriously, if you need a good head-shot for your “movie work” *, don’t call anyone but Tom Young. * Yes, I put that term in sarcastic quotation marks, happy now?

Bad Song Lyrics

Bad song lyrics can pretty much be lumped into four categories:

There’s…

Idiotic

It was an itsy, bitsy, teenie, weenie, yellow polka-dot bikini
That she wore for the first time today
An itsy, bitsy, teenie, weenie, yellow polka-dot bikini
So in the locker she wanted to stay

Offensive

You’ve been coolin’, baby, I’ve been droolin’,
All the good times I’ve been misusin’,
Way, way down inside, I’m gonna give you my love,
I’m gonna give you every inch of my love,
Gonna give you my love

Embarrassing

Oh, I’ve been to Nice and the isle of Greece
when I sipped champagne on a yacht
I moved like Harlow in Monte Carlo
and showed them what I’ve got
I’ve been undressed by kings
and I’ve seen some things that a woman ain’t s’pose to see
I’ve been to paradise but I’ve never been to me…

And finally, there’s

Pathetic

See the difference? My problem with Beyoncé is the pathetic-ness of her lyrics, not the offensiveness.
Generally speaking, lyrics that are offensive are the most likely to be commented on by critics like me , and yes, as that tiresome platitude reminds us, “every generation has songs that offend the previous generation”, blah, blah , blah. But really now, can we never draw the line, anywhere?
Suppose a song were to come along that extolled the virtues of child-molesting, set to a delightfully infectious melody, what then? Will we be “allowed” to be offended? Or will critics be scolded as “old-fashioned fuddy-duddies”? Sound impossible? Not in a world with absolutely no standards whatsoever.
The lovely "Charlene" sang one of the most embarrassing songs in history, "I've Never Been To Me".

The lovely “Charlene” sang one of the most embarrassing songs in history, “I’ve Never Been To Me”.

Beyoncé’s Swell New Song Lyrics

Beyoncé, certainly attractive, but so utterly vile. Pity.

Beyoncé, certainly attractive, but so utterly vile. Pity.

Like you, I was largely unaware of this low-talent, spoiled nit-wit until she got caught lip-synching the national anthem at Obama’s second inauguration. Now that I am aware of her, I must say that I grow more and more unimpressed.

Her latest effort to make people hate her is this “warning song” she released that appears to be designed to scare away any young female wanna-be rap stars that might be thinking about rising up and replacing her majesty. Truly pathetic, tawdry, and just generally awful:

[Hook]
I’m out that H-town
Coming, coming down
I’m coming down dripping candy on the ground
H, H-town, town, I’m coming down
Coming down dripping candy on the ground

[Verse 1]
I know when you were little girls
You dreamt of being in my world
Don’t forget it , don’t forget it
Respect that, bow down bitches

I took some time to live my life
But don’t think I’m just his little wife
Don’t get it twisted, get it twisted
This my shit, bow down bitches

[Bridge]
Bow down bitches, bow bow down bitches
Bow down bitches, bow bow down bitches

H-town vicious, h-h-town vicious
I’m so crown, bow bow down bitches

[Hook x2]
I been on, I been on, I been on
Tell me who gon take me off
Take me off, take me off, take me off

[Verse 2]
Rolling high, leather and wood
Keep it trill, that’s what good
Kiss my momma, show that love
Pop them bottles in that club
I heard your boo was talking lip
I told my crew to smack that trick
Smack that trick, smack that trick
Guess what they did, smack that trick

Gold everything, gold ass chain
Gold ass rings, gold ass fangs

You can see me stunt when you turn on ya screen
You can see me stunt when you turn on ya screen

I’m bigger than life, my name in the lights
I’m the number one chick, ain’t need no hype
The capital B means, I’m ‘bout that life
The capital B means, I’m ‘bout that life

[Hook]

[Outro]
I remember my baby hair with my dookie braids
Frenchy’s, Boudin in the parking lot
Shout out to Willie D
I was in that Willie D video when I was about fourteen, looking crazy
Shout out Pimp C
You know we used to sneak and listen to that UGK
Didn’t do your girl but your sister was alright, damn
In ya homeboy’s Caddy last night man, haha
Hold up, Texas trill
H-town going down, man

Brunswick Does Sweeney Todd

“High schools don’t do Sweeney Todd”, is how one of the leads, Caroline Powers, put it when she thanked the show’s director for coming up with the idea and then sticking with it. Sweeney is a bizarre, odd, grisly story of revenge, with multitudes of throat-slashings, dead & dying body disposing, and general gruesomeness. On top of that, it’s a musical, yet the music, while not atonal, is hardly tonal, shall we say.

Getting the picture? A challenging show, even for professional actors, let alone high school kids. So imagine my surprise when I discovered I liked it. Maybe it was the enthusiasm, the energy that these kids threw into it, and the fact that every single player on that stage was in character.

No matter what the leads are doing, I always scan the whole stage to see what the others are up to. Knowing that audiences will do this, great movie director,Frank Capra would have separate conversations with all of his “extras”, assigning to each a motive for what they were doing and where they were going, because that’s how it works in real life; every person you pass on the street has a motive, doesn’t he?

So this odd show really worked, and even the music was good. Amazing.

By the way, for comparison, I checked out the Angela Lansbury/George Hearn Broadway version, as well as clips from the Johnny Depp movie; I think young Mr. Ali Coopersmith’s Sweeny Todd, and Lexi Seidel’s Mrs. Lovett were as good as anything I saw. Likewise for John LaBossiere’s Mr. Beadle (this guy’s always good)

Tickets were 10 bucks each, an improvement over the $220/ticket cost of Glengarry Glen Ross that I saw on Broadway in December (on the other hand, unlike the Brunswick Performing Arts Center, at the Gerald Schoenfeld Theater, you can buy a martini in a sippy-cup).

Brunswick Theater performing Sweeney Todd last Saturday night.

Brunswick Theater performing Sweeny Todd last Saturday night.